A small Selection of Winter/Hoerbelt Projects sorted by year
2024
Anyang Cratehouse 2
After our contribution to the first edition of APAP Anyang (2005) had to be replaced after almost 20 years due to a landslide and a hurricane, it was a great pleasure and a honor for us to build a new, extremely durable Cratehouse on the same site, thanks to a stable and long-lasting foundation.
„Das Verkehrswesen“
the exhibition at Jakobshallen Bad Homburg, Germany shows a combination of new and elder works of Winter/Hoerbelt in dialoque with the specially beautiful arcitectural conditions of the Jakobshallen.
2023
Basket #13: Voliere
walk-in sculpture, stainless steel, additional material, swing
exhibition: „Blickachsen 13“, Bad Homburg, Germany
Die Perlen des Alltags
Lightsculpture, car taillights, additional material, LED
exhibition: „Blickachsen13“, Bad Homburg, Germany
2022
„Dem Wasser gewidmet“ (dedicated to the water)
walk-in sculpture, commissioned by the City of Wiesbaden
located at the bank of the river Rhein, Mainz Kastel
material: stainless steel, aluminium
measure: 6200×3400 mm
2021
St Eanswythe´s Return
installation for Folkestone Triennial 2021, public space of Folkestone, U.K.
material: withered street tree, waterproof plaster, metal, fountain system, sheet piles
During the Folkestone Triennial in 2021, curated by Lewis Biggs under the theme The Plot, Winter/Hoerbelt took the inhospitable green stripe in the middle of the Shellons Street junction in Folkestone into their artistic focus. They intended to produce a dramatic sculptural intervention to highlight the location, which had degenerated into a non-place following a traffic design intervention during the 1960s. The project, titled St Eanswythe‘s Return, recognizes Princess Eanswythe, said to have been able to make water flow upwards to provide fresh water to the monastery she established. The result was an open canal, which supplied the monastery and also the town with fresh water from the surrounding hills.
2020
Hulahoop&Hopscotch
„HulaHoop&Hopscotch“. commissioned by Deutsches Leibniz-Institut für Bildungsforschung, UniCampus Westend, Frankfurt, Germany 2018/20
Hopscotch: Floor inlay, brass, approx. 900x900cm
HulaHoop: Stainless steel, powder coat approx. 580x2800cm
2019
„Donnerstags ist alles gut“
„Donnerstags ist alles gut“, commissioned by „Blickachsen“, Bad Homburg, Germany 2019
temporary installation for the sculpture outdoor exhibition „Blickachsen12“
material: 900 plastic crates, various mat.
size: approx 1200cm, d=320cm
2018
DIE GROSSE ILLUSION
Die gr0ße Illusion,
temporary installation October 2018 – April 2019, commissioned by Frankfurter Kunstverein, Frankfurt, Germany
measure: approx. 12000x280cm
material: polished stainless steel, folded, rolled, welded
location: roof of the building of the Frankfurter Kunstverein, Neue Altstadt Frankfurt, Germany (mehr …)
DORTMUNDER ROSEN, Museum Dortmunder U, Dortmund, Germany
„Dortmunder Rosen“, 2018
permanent installation commissioned by the Dortmunder U
measure: each approx. 1100x280x280 cm
material: red plastic car tail lights, galvanized steel, aluminum, LED lights
location: Museum Dortmunder U, Leonie-Reygers-Terrasse
Die Anregung zur Installation „Dortmunder Rosen“ entstand in der Wahrnehmung einer nächtlichen Autobahnfahrt. Im Dunkel der Nacht sind in Ferne und Nähe fast nur die roten Positionslampen vorausfahrender Fahrzeuge zu erkennen, die Irrlichtern gleich sich durch den Raum bewegen, gelegentlich auch heller aufscheinen und etwas bedeuten… (mehr …)
2018
VON TUREN UND IONEN, Frankfurt, Germany
„Von Turen und Ionen“, September/October 2018, Solopräsentation Winter/Hoerbelt at Heike Strelow Gallery, Frankfurt, Germany
PIXELWALL, Cambridge, England
PIXELWALL, commissioned by the University of Cambridge for NWCD
measures: 1500 x 250 x 30 cm
material: stainless steel, folded, various metal
location: University of Cambridge, U.K., Western Edge
FATA MORGANA TEAHOUSE, Cambridge, England
FATA MORGANA TEAHOUSE
commissioned by the University of Cambridge for North West Cambridge Development.
A two floor pavilion, open to the Public.
material: modified stainless steel grid, stainless steel sheets and bars. concrete floor
measures: approx. 700x700x660 cm
location: University of Cambridge, U.K., Western Edge
2017
LINDENBAUM_FRAMED, Oberursel, Germany
LINDENBAUM_FRAMED, transformation of a Winter Linden-ruin into a 3 dimensional Still Life
material: steel cube, ruin of a Winter Linden, restored bench and table
measure: 800x800x800cm (bars 20x20cm),
location: Oberursel, Germany (Freiligrathstraße direction Oberstedten, cross the pedestal bridge over the Autobahn)
On the outskirts of Oberursel, in the midst of intensive industrial agriculture, stands the ruin of a 400-year-old winter linden tree, which was destroyed by environmental influences. As an art project, this tree rudiment (mehr …)
DER BLAUE KRAN, Offenbach, Germany
DER BLAUE KRAN, Transformation of an old harbor crane into a public walk-in industrial monument
material: steel, paint, electric lightening
location: Mainviertel Offenbach, Germany
Die Bearbeitung eines alten Hafenkranes zum begehbaren Industriedenkmal:
„Eine Baggerschaufel bewegt sich im Raum über die x, y und z -Achsen; sie ist somit ein Paradebeispiel zur Veranschaulichung von Raumvorstellungen, welche elementare Aspekte der plastischen Künste sind“. Die Ruine des Hafenkranes wurde zunächst unter skulpturalen Aspekten betrachtet und dann aus Gründen der Proportionen unterteilt in Sockel, Mittelbau und Krankopf. (mehr …)
2016
BIMBAM IM SELBST, Plymouth, U.K.
„BIMBAM IM SELBST“, experimental Solo-Presentation at KARST, Plymouth. The offer was made to the visitors to physically deal with the exhibited objects.
material: white floor, Winter/Hoerbelt_ objects and sculptures.
VERTIEFT-ERHABEN, Frankfurt, Germany
Basso Rilievo originated from the removal of a plaster layer over a solid concrete wall
measure: 2400x400cm, relief depth approx. 10m
location: Staircase of Zentrales Werkstatt- und Verwaltungsgebäude der Stadt Frankfurt, Adam-Riese-Straße 25 60327 Frankfurt am Main
2015
ERDMAUL
ERDMAUL is a sculpture made out of polished stainless steel sheets, which we have cut and folded in a very special way, so that the surroundings are mirrored Pixel-like.
measures: approx. 150x90x60cm
location: fotos in front of the artist studio, Frankfurt, Germany
2014
KÖRPERMAUMAU, Dortmund, Germany
The exhibition „Körpermaumau“ reflects the topoi space-body-play. besides the pure aesthetical observation. visitors are deliberately invited to experience the sculptures in a physically sensation. Consequently the art works are arranged in an open framework to invite spectators a freely approach towards (most) of the objects. „Koerpermaumau“, Museum Ostwall im Dortmunder U, Dortmund, Germany, April 5th until September 28th, 2014 (mehr …)
2013
KASTENHAUS 820.10, Frankfurt, Germany
KASTENHAUS 820.10 is an example of a series of Bottle Crate Buildings.
The number code refers to the number of boxes used and the number of stackings on top of each other. Kastenhaus 820.10 is made out of 820 plastic crates, which were produced industrially in the color we decided and stacked 10 times to generate the bended Walls. Of course fixed in a specially elaborated way (invented by us) so that they are stabil buildings for all weather conditions including earth quake. This pavilion here travelled to Yokohama (mehr …)
2012
KunstLanding Aschaffenburg
„ALLES NEU“ three Winter / Hoerbelt sculpture rooms as part of the group exhibition „Alles Neu“ with Hans Rose, Senga Nengudi and Irene & Christine Hohenbüchler
location: KunstLanding Aschaffenburg, Germany
BONNELL HANGZHOU, Hangzhou, China
BONNELL HANGZHOU
material: converted coil spring matresses, wooden platforms, paint
measure: approx. 400x250x250cm
location: Westlake, Hangzhou, China (temporary, Summer 2012)
BONNELL HANGZHOU is a walk-in object made up of three chambers made with our 10 helpers in Hangzhou, China as part of a public workshop. As building material we used spring core mattresses which we had modified for the production of the round shapes. The movie below shows the performance-like manufacturing process. After the production, the Sculpture was temporary placed at the Westlake. (mehr …)
PIXELRÖHRE, Sankt Leonhard, Austria
material: stainless steel, folded and bended, concrete nucleus
measure: approx. 450×320(diameter) cm
location: Collection LEUBE, Sankt Leonhard, Austria
2008
LOOKING OUT / FACING IN, Nantes, France
LOOKING OUT / FACING IN, experimental exhibition project with a special focus on the participation of the visitors
at Le Lieu Unique, Nantes, France (mehr …)
2007
KASTENHAUS Padova, Italy
material: 1320 white bottle crates, stainless steel, wood, concrete. the white plastic bottle crates were industrially produced according to our color specification.
measure: approx. 1100x450x420 cm
location: private collection, Padova, Italy
2006
GALILEI PRINCIPLE-A SCULPTURAL THERMOMETER, Freiburg, Germany
GALILEI-THERMOMETER, University of Freiburg,
material: glass, peg liquid, glass bowles, aluminium
measures: approx. 1100x250x50 cm
location: Institut für Infektionsprävention, Universität Freiburg-Zentrum Naturheilkunde
“Galileo’s Principle: A Sculptural Thermometer” is a permanent installation in the Department of Environmental Health Science
Description of “Galileo’s Principle: A Sculptural Thermometer”
The concept:
Five pillars of glass were installed in the fully glazed ”Energy Garden”, which faces the entrance of the newly built “Department of Environmental Health Sciences”. Every glass cylinder contains 25 mouth blown glass bulbs, each attached to a small, carefully measured metal weight. (mehr …)
2003
„9600: GANGWAY“, Zeebrugge, Belgium
material: 9600 french bottle crates, various material
measure: 5000cm x 580cm(diameter)
The ends of the tube describe the course of the water lines of low tide and high tide
exhibition: Beaufort 2003 Art at the Seafront, Triennial for Contemporary Art 2003, Museum Oostende
2000
1996
The Kastenhaus (series of plastic crate buildings) since 1996
THE KASTENHAUS is the title of a series of sculptural buildings made of plastic crates, which are used to transport bottles and are distributed all over the world. By the way: did you know, that there are more plastic boxes than people in the world?